News

Selected Press

TIME

Belinda Luscombe

17 September

Amy Sherald Would Rather Walk Away Than Water Down Her Art

‘...it has been 50 years since a living painter has been solo on the magazine’s cover. (In fact, Rauschenberg was the last, appearing in a self-portrait on the Nov. 29, 1976, issue of TIME.) Until this week. Painter Amy Sherald appears on the new cover following a blockbuster two-year, four-museum tour of her work. The predecessors she joins in that space include Pablo Picasso, Salvador Dali, Thomas Hart Benton, and Andrew Wyeth.’
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Amy Sherald, 2025. Photo: Kelvin Bulluck

The New York Times

Walker Mimms

15 September

Camille Henrot, Polyglot of Arts and Letters, in the Triple Spotlight

‘The world that is being born in ‘Grosse Fatigue’ I hope to God is not dying in ‘In the Veins'...’
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Camille Henrot, 2025. Photo: Vitor Duarte

T: The New York Times Style Magazine

M.H. Miller

12 September

Rita Ackermann Doesn’t Have to Explain Her Work to You

‘If after 33 years I’m still stressing about making my masterpiece, then I haven’t learned anything.’
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Photo: Victor Neyra

New York Magazine

David Lê

8 September

George Rouy Makes a Bigger Splash

‘There’s always this remove with my work, something I’m not revealing or exposing entirely. A smoke-and-mirrors quality, to some extent.'
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George Rouy, 2025 Photo: Jeff Henrikson © Jeff Henrikson

The Brooklyn Rail

Dian Parker

1 September

Musa Mayer with Dian Parker

‘The book is moving in so many ways. Being married to a famous artist like Philip Guston couldn’t have been easy. Yet in Musa McKim Guston’s writings, there is such tenderness and obvious love alongside her struggles. The power of the book is the opportunity to have the woman’s perspective about a life with a renowned male artist, especially from that period of time.’
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'Life with P.: Journals, 1966–1976' by Hauser & Wirth Publishers

Tatler Asia

Zabrina Lo

17 August

A major solo exhibition of Lucio Fontana, known for his slashed canvases, opens in Hong Kong next month

‘The ‘Fontana Revolution’ was a good revolution. Maybe it was a little bit too bright for his time—but now we see the light.’
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Lucio Fontana. Photo: Ugo Mulas

The Punch

Nawaid Anjum

14 August

Subodh Gupta interview: ‘Even the most ordinary objects can carry extraordinary human histories’

‘As an artist, I feel grateful that I have been able to transform these humble materials into works that invite reflection and dignity. It reminds me that even the most ordinary objects can carry extraordinary human histories.’
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Portrait of Subodh Gupta

Fantastic Man

7 August

Zhang Enli, Lingering on the Boundary of "A Window"

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Zhang Enli, 2026 Photo: Sihao Li

Ocula

Rachel Connolly

4 August

A Sense of Wonder

‘I feel like the power of film is the power to captivate us, as if we were dreaming.’
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Camille Henrot (2026). Photo: Lyndsy Welgos.

Financial Times

Lucy Davies

25 July

Catherine Goodman at Boughton House: ‘It’s quite difficult to compete with a Raphael’

‘It’s strange, painting, because you work so much from your unconscious . . . there’s a side to it where I’m in my studio and this wildness comes out.’
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stallation view, 'Catherine Goodman. In the House of Tapestries,' Boughton House, Kettering, United Kingdom, 2026. Artworks © Catherine Goodman. Photo: Damian Griffiths.

Flaunt

Hannah Tishkoff

22 July

Allison Katz | An Appetite for Images

‘The thing about painting is that it is a frame, and so much of life just can’t be contained.'
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Allison Katz. “First Impression” (2026). Oil and acrylic on linen. 63’’ x 57 ⅛’’ x 1 ⅜’’. © Allison Katz. Courtesy the artist and Hauser & Wirth. Photo: Eva Herzog.

Artsy

Katie White

16 July

British Artist Sonia Boyce Makes Art of the Unexpected

‘I’m really very interested in playfulness. And I do think as adults, we don’t take it seriously enough.’
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Sonia Boyce, 2025. Photo by Aarony Bailey.

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