News

Selected Press

Clarín

March Mazzei

28 April

'Works as brain circuits' Guillermo Kuitca presents his most personal series at ArtHaus

'I like the idea of mapping memory, because I imagine memories as brain circuits. We think about many things at the same time; some things we recognize, and others we aren’t even aware we’re thinking.'

Thumbnail image for Exhibition titled Clarín — Portrait of Guillermo Kuitca at MALBA. Photo: Alejandro Guyot (Retrato blanco y negro Julie Méndez Ezcurra Ca, 1986).

The Los Angeles Times

Tara Anne Dalbow

21 April

This influential L.A. collector bought the artists no one else would. The art world is finally catching up

'During a recent interview that began in the leafy courtyard of the gallery, Harris Norton shared the story of her collection, revealing the personal depth of her connection to the art and artists in the process. It’s a material history of a culture: one Harris Norton didn’t just witness or document, but actively built.'

Thumbnail image for Exhibition titled The Los Angeles Times — Photo: Jeff McLane

The New York Times

Eleanor Stanford

16 April

A Huge Statue of a Black Woman Opens a New Door to London’s V&A

‘Price said a public sculpture’s installation, for him, was just the 'starting line.' Then, he added, the public’s response reveals how 'we discover ourselves, we see ourselves.’

Thumbnail image for Exhibition titled The New York Times — Thomas J Price unveiling ‘A Place Beyond’, outside of London’s V&A East Museum ahead of its opening on East Bank in Queen Elizabeth Olympic Park on 18 April 2026. David Parry/PA Media Assignments for the V&A.

Connaissance des Arts

Marie Maertens

14 April

Paul McCarthy combines drawing and performance in a free exhibition in Paris

‘I believe I create because I empathize with others... based on what I feel and what I think. That is what matters most, not what the viewer wants.’

Thumbnail image for Exhibition titled Connaissance des Arts — View of the installation “Paul Mccarthy. SS EE Saint Santa Eva Elfdrawing Sessions 2025 with Lilith Stangenberg”, Hauser & Wirth Paris, 2026. © Paul McCarthy. Courtesy the artist and Hauser & Wirth. Photo: Nicolas Brasseur.

studio international

Rochelle Roberts

13 April

Frank Bowling: Seeking the Sublime

‘In each, strong colours run down the canvas in an evocation of flowing water, marbling on the surface of the canvas to create beautiful textures and patterns.’

Thumbnail image for Exhibition titled studio international — Frank Bowling Yellow Map 2025 Acrylic on canvas with marouflage 144.8 x 91.4 cm / 57 x 36 inches © Frank Bowling. All Rights Reserved, DACS 2026 Courtesy the artist and Hauser & Wirth Photo: Anna Arca

The Art Newspaper

Ben Luke

8 April

A Brush With...Lorna Simpson

‘While she is deeply engaged with societal issues and historical inequities, and with the camera’s time-honoured role as a documentary instrument, she blurs boundaries between reality and fiction, between witnessing and storytelling. The result is a practice that is precise and yet elusive, spare and yet capacious.’

Thumbnail image for Exhibition titled The Art Newspaper — Lorna Simpson. Photo: Jeff Henrikson

Financial Times

Nadia Beard

4 April

‘I wanted to be good at something’ — Henry Taylor on painting, sincerity and being present

‘I’m always present. I’m always sort of spontaneous, and I’m not really planning. I don’t sit down and plan . . . It’s sincere and that’s the consistency. Being sincere and being present, and being inspired by the place.’

Thumbnail image for Exhibition titled Financial Times — Henry Taylor. © 2020 Fredrik Nilsen

BBC Radio 4

John Wilson

2 April

Don McCullin - This Cultural Life

‘How are we going to get our information back if there is no one on the ground covering war?’

Thumbnail image for Exhibition titled BBC Radio 4 — Don McCullin, Scarborough Beach 2018 Courtesy the artist, Bright Yellow Films & Oxford Films © Bright Yellow Films & Oxford Films. Photo: Stephen Foote

South China Morning Post

Aaina Bhargava

1 April

How Wong Kar-wai’s noir films inspire Nicole Eisenman’s Hong Kong view

‘Turning away from external sociopolitical events, the works on view in Hong Kong mark a drastic introspective shift, featuring paintings and sculptures of a more intimate nature. For Eisenman, the exhibition is a remedy to the fatigue that comes from constantly absorbing the news of increasing global upheaval.’